Fragrance expert to Ghassan Hajjaj on his top scents.
A colourful matriculation ceremony was held on Friday May 28 at the premises of Knutsford University College to usher in 577 local and foreign students to start the 2021/2022 academic year.
Despite the debilitating impact of Covid-19 on university admissions across the world, the number of undergraduate and post-graduate students who have formerly joined one of Ghana’s leading growing university communities is a testament of the school’s resilience and strict adherence to Covid-19 protocols.
The ceremony brought together both the Accra and Kumasi campuses and a firm commitment to creating a fine balance between face-to-face lecture hall interactions and a robust online schedule of academic interactions through the use of convenient and easy-to-use learning management softwares.
The ceremony was graced by the representative of the Vice Chancellor of our affiliate, University of Ghana, Professor George Owusu, Dean of the School of Social Sciences, University of Ghana and also a formidable representation for the Vice Chancellor of the University of Development Studies in the person of our own Bishop Dr. John Essel.
Pro-Chancellor of the University Bishop Dr. John Kwamena Essel, on behalf of the Council and Management, duly declared the matriculation assembly constituted and formally welcomed the new students into the Royal University of Africa, Knutsford University College.
For his part, President of the University Professor Anthony K. Ahiawodzi underscored the need to practicalize acquired knowledge saying in part: ‘the need for quality education in the growth and development of industry and civil society is becoming more and more important than ever. Thus, education should not be limited to only the acquisition of knowledge, skills and abilities, but it should be the application of these vital resources to meet the needs of industry and societies’.
In all 372 students were matriculates- 163 males and 209 females, representing 43.8% and 56.2%, respectively for various undergraduate programmes. Foreign students make up almost 10% coming up to 32 of the admitted number and 13 new students for the Master of Business Administration (MBA) programme with specializations in Accounting, Finance, Marketing and Human Resource Management.
The Two Nominated Students
Two nominated students Lilian Narh and Christopher Ansah Djanspoke spike on behalf of their colleagues and expressed their excitement to be part of the Knutsford learning community and there was no shortage of lofty expectations they and their colleagues have as they have officially set foot into the Royal University of Africa.
I am excited to be part of the Knutsford learning community because it is my belief that learning can and should be fun, while discovering my talents!
Christopher Ansah Djanspoke
Living areas in the city
The release of Whole Lotta Red also marked the arrival of a new Playboi Carti, now adorned with candy-red braids and a vampire alter ego (“Vamp Anthem” goes so far as to sample Bach’s “Toccata and Fugue in D Minor, BWV 565,” made famous, of course, by Dracula). There are other eccentricities, too his album art is a reference to Slash magazine.
His album art is a reference to Slash magazine, an underground punk zine printed in Los Angeles during the Seventies. And one of Carti’s new calling in song from remembering. His album art is a reference to Slash magazine cards is the chaotic use of capitalization.
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His album art is a reference to Slash magazine, an underground punk zine printed in Los Angeles during the Seventies. And one of Carty’s new calling cards is the chaotic use of capitalization in song titles. He says it comes from remembering.
The release of Whole Lotta Love also marked the arrival of a new Playboi Carti, now adorned with candy-red braids and a vampire alter ego (“Vamp Anthem” goes so far as to sample Bach’s “Toccata and Fugue in D Minor, BWV 565,” made famous, of course, by Dracula). There are other eccentricities, too.
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His album art is a reference to Slash magazine, an underground punk zine printed in Los Angeles during the Seventies. And one of Carty’s new calling cards is the chaotic use of capitalization in song titles. He says it comes from remembering back on texting with old phones when you had to use the predictive.
He says it comes from remembering back on texting with old phones when you had to use the predictive text T9. “I say it in a song too like.
They can’t understand me, I’m talking hieroglyphics Carti explains, referencing the Kid out shit like that because I feel experience created a lot of things I was pointing out shit like that because I feel like my experiences chaotic use of capitalization.
His album art is a reference to Slash magazine, an underground punk zine printed in Los Angeles during the Seventies. And one of Carti’s new calling cards is the chaotic use of capitalization in song titles. He says it comes from remembering back on texting with old phones when you had to use the predictive.
text technology T9. “I say it in a song, too, like, ‘They can’t understand me, I’m talking hieroglyphics,’” Carti explains, referencing the Kid Cudi-assisted “M3tamorphosis.” “I was pointing out shit like that because I feel like my experiences created a lot of things for me, and then I let the people run with it.”
